Todd Roberts
Interview
Todd C. Roberts, creator of Truant Media, has the daunting task of bagging one of the most ubiquitous but elusive and mystifying elements in all of nature: Youth Culture.
Cerulean
Baths
Buy
The first word that comes to mind when describing “Cerulean” is surprising. This debut effort by L.A.-based Baths dishes out dishes out creamy voices and soft beats in an unexpected way. “Apologetic Shoulder Blades” opens the album with an ethereal chorus of voices. Then the beats drop in like a shower of marbles on wooden pegs, building and thwacking in new, increasingly complex and beautiful tones. “Cerulean” is more a collection of sounds than it is your run-of-the-mill DJ work. It’s been described a “seething sound-cloud.” This cloud has moments of turbulent swirling, snapping and popping, and falsetto crooning exploding into crowded percussion, accompanied by moments of gentle breezy piano, rustling leaves, and flowing melodies.
“Cerulean” offers a crowded landscape of fantastic melodies and beats—all infused with and galvanized by the raw and effusive emotionality Baths’ creator, Will Wiesenfeld. Sometimes relying on the light emotional delivery of a piano, other times relying on a heavy explosion of sounds, “Cerulean” is an overwhelming yet bright experience. Wiesenfeld has created a richly layered debut album worthy of sustained attention.
(Baths on MySpace)
Relayted
Gayngs
Buy
Gayngs is really more of a “musical family” than a band. This project, headed by Ryan Olson and Solid Gold members, Zack Coulter and Adam Hurlburt, expanded through production into a record recruiting the talents of over 25 eclectic artists. From slide-guitars to jazz saxophone, from synth to earthy percussion and squealing feedback, “Relayted” is an epic exploration of tone, texture and musical genres. With this a divergent of a cast pulling off such a multifaceted yet unified vision, it sorta makes you think that world peace is attainable. Maybe we humans have it in us after all to gather people from all walks of life to pull off something truly beautiful.
Utilizing this much talent on album was surely no small task, but the vision of Olson, Coulter, and Hurlburt keeps this album cohesive. And the steady 69 BPM on every track helps as well. “The Gaudy Side of Town” opens with distorted beatboxing, and then drums take over and the track melts into a smooth groove. Saxophone riffs and echoing drifting vocals sweep through the rest of the track. The rest of the album slips from track to track with seamless trippy transitions. “The Walker” starts with a gunshot, and cool calculated guitar picking marches its way with the woeful vocals. It’s the perfect soundtrack for a Sergio Leone western. And then there’s “Cry”, and “No Sweat”, and “The Last Prom On Earth” with its perfect execution of the pathos and heightened emotion of an 80s prom… and I could go on. Really, the whole album is excellent.
(Gayngs Official Site)