Robert Shahnazarian Jr

Interview

 

Robert Shahnazarian Jr, president of Feudal Records, enjoys his work, but only after holding nearly every job in the music industry he didn't want.

 
 
 

Polichinelle

 

The Prayer Boat

 

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While listening to "Polichinelle" you don’t know whether to cry over the beauty of Tinley’s voice and lyrics or over the fact that the Irish band, The Prayer Boat, hasn’t released an album since this 1999-released effort. It’s as if James Dean and Marilyn Monroe had simply quit instead of dying. No please, don’t stop! Go on; keep on doing what you do best. We’d all appreciate it. But then again, don’t all Irish stories end sad?
Nothing has been changed from the original in this remastered 10th anniversary edition of "Polichinelle". If you’re aware of the fight the band went through to secure an uncompromised vision in the original release, you can appreciate the lack of change. Prayer Boat’s lead singer, Emmett Tinley, ululates in echoing, blue-tenor beauty throughout the album. The entire band delivers pure melancholy. But melancholy is too flat a word. This is the melancholy after the storm, after the fight and the regret, and looking out my New York apartment window at the bright yellow glimmer of the end of the clouds on the horizon, maybe I will make that call, maybe things will get better, if I can only get past this sunset and the dull twist-in-the-stomach beauty of the droplets on the pane—that kind of melancholy. Always poetic, never manipulative; "Polichinelle" is a refreshingly honest, and musically satisfying album from start to finish.
How do you get to the river Ganges? Somebody go send a wish that Prayer Boat will release another album.


(The Prayer Boat on MySpace)

 
 

Solo Piano Diary

 

Christian Lindquist

 

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Christian Linquist’s "Solo Piano Diary" has all the subtle emotional variety and individual moods represented in a written daily diary or journal. The ups. The downs. The playful tones—free-form days, days of languid torpidity, days of contemplation, days of laughing, days of sadness. Listening to this album, one gets the idea that a real human is behind this music.
Linquist writes, “I play because I need it. It calms the ocean.” Listen to the album and you’ll see what he means. The recordings are simple. A microphone, a piano, and an artist at his craft. No vocals, no other instruments. "Solo Piano Diary" rivals the simplicity of Bach’s "Well Tempered Clavier", but lacks all the formality and strict structure his 18th century ecclesiastical audience came to expect. Perhaps we could call Linquist’s diary "A Well Relaxed Piano". With "Diary"’s low-profile feel, it has the quiet personal touch of an exclusive performance in your own living room—without the awkwardness that might arise from needing to entertain a tall Swedish man. That is, unless you can speak Swedish.

Note: Lindquist's music is available for free on his website. But if you want to support him, feel free to donate via his site or purchase his album on iTunes or Amazon anyways.

(Christian Lindquist Official Site)

 
 
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